2nd Year Studio Final Critique

I attended the 2nd year studio's final critique. Their project assignment was to design a structure by using a system of folding, experimenting with paper and origami as well as creating models and a presentation board.  I thought two projects were especially successful. One project was a tunnel made out of angular plexiglass modules that was inspired by a human spine. This project was designed so the tunnel could change shape, and sections could be added or taken away. The model was very successful because it was made from a plastic or plexiglass material just like the proposed design and each piece was identical and well crafted. The scale figures were also effective in showing the tunnel's size and how people would interact with it, which was a big issue discussed in this critique.  The graphics in this presentation showed the process very well, but with the final rendering being the prominent focus. Another project used a series of cardboard triangles that were folded and sewn together to make an adjustable tunnel where the user could modify the structure by folding it or changing the number of triangles.  This model was also very well crafted and was demonstrated well with scale figures. The graphic presentation used a series of pictures showing the process like the first project. Overall, the second year students did a good job speaking clearly and articulating how they arrived at their final projects. I think they could have talked more about what exactly their project required and what their goals were.

Luminaire

The Final Project

Documentation

The inspiration for my luminaire was sunlight hitting the fountain outside of the dining hall. My original prototype used only canson and trace paper to make a curve structure that was similar to my original diagrammatic model in my light phenomenon presentation. I then changed direction to a less literal interpretation which used more interesting materials. I used drinking straws to filter the light as well as show the different levels of brightness and curves of the water in the fountain. I started out with reflective paper held up by wooden dowels as the back of my luminaire to reflect light onto the straws. Originally there was only one single row of straws that were attached with only a few holes drilled into the base, the straws being taped to each other. I found that the best way to create the fountain effect and appropriately filter the bulb was to drill two rows of holes all the way around the wooden base. I switched to using poplar wood instead of pine because it is harder and easier to work with on the drill press. I added a third row of straws in front of the bulb to make the light less harsh. Finally, I added feet to the base made from wooden dowels to lift my luminaire off of the table surface and to allow room for the cord underneath. After critique, I decided to use paper to further shade the light bulb which helped to further soften the light in the center of my luminaire.

First base with reflective paper backing

First wooden base with dowels

Original Prototype

Light Precedents & Analysis

The diffused light from Lumicor's recycled glass resin panels reminded me of my fountain light effect because of their reflective quality as well as how the intensity of light varies vertically on the panels which is one of the effects I am trying to achieve. Glass bits could be a possible material.

lumicor.com

I researched ways to use corrugated plastic since that was one of the materials I purchased for this project. This example reminds me of the luminaire we were shown in class. I like that the area between the corrugation lines can vary based on how the plastic is cut, as seen below. The intensity of light is also seen to vary in this picture which is necessary for my project, so corrugated plastic as a material is still in the running.

grassrootsmodern.com

I considered using pleats as a way to translate the light effect of a fountain. These fixtures from Artemide diffuse light very beautifully and achieve a water ripple effect. I could use a technique similar to this with thicker vellum.

www.artemide.us

This wall light by Alesina Design was very similar to what I wanted to achieve with my luminaire. The ripple effect of the cut paper is very much like my light phenomenon, but perhaps I could find a more successful light effect for my project by projecting the light effect onto a wall in the opposite way that these fixtures.

Alesina Design also makes luminaires out of plastic drinking straws, which I thought to use to create my lighting effect. I thought these were interesting:

www.alesinadesign.com

Drinking straw lights from another company, Padlab.

www.padlab.com

Wood System

Our assignment was to cut a 2" x 4" x 18" section of wood at least five times, assembling the pieces into a connected system of parts and using every cut piece. The system was to maintain its form through joints that were created, using no wood glue or nails. My idea was inspired by a pyramid, where I cut notches into each 18" horizontal piece and attached ascending vertical pieces as the pyramid goes up. 

top view

view from inside

close up of joints

early stages of assembling

Dan Flavin

Light is defined as "something that makes things visible or affords illumination".  Light can go beyond the practical definition of making things visible by being the thing to be viewed itself.  Light artists such as Dan Flavin explore the aesthetic properties of light, exploring color, form, and artistic ordering.  Flavin's style is minimalist, using florescent rods of light to make interesting light effects. This style is very different from other artists such as Paul Friedlander, who captures morphous shapes in light sculptures such as "Timeless Universe" and "The Wave Factory". Flavin's linear style creates striking statements, as seen in the images below. I find the light display made for the Luis Vuitton window most interesting, the colors he used are very eye-catching and pleasing to look at, the use of glass and other reflective surfaces causes the eye to travel beyond the light rods themselves, and this particular work is multi-dimensional unlike some of Flavin's other works.

This particular work was designed for a Luis Vuitton display in New York City.

http://www.lipsticktracez.com/jaymie/2008/05/louis-vuitton-does-dan-flavin.php

Dan Flavin's "Untitled (To You, Heiner, With Admiration and Affection)" in the atrium of the National Gallery in Washington.

http://www.nytimes.com/2004/10/01/arts/design/01KIMM.html?_r=1

untitled (in honor of Harold Joachim) 3, 1977, by Dan Flavin

http://www.nytimes.com/2004/10/01/arts/design/01KIMM.html?_r=1

Monument for V. Tatlin, 1966

http://www.ressleart.com/past.htm

Other sources:
http://dictionary.reference.com
http://www.paulfriedlander.com/

Light Through Water

I used a picture I took of a close-up shot of the fountain outside the dining hall around 1 p.m. I did a value drawing to show where the sunlight hit the water most directly as well as the darker areas caused by the area of shade underneath the cascade of water.  In my model, canary trash paper shows how the concrete underneath the fountain is revealed subtly by the light through the waterfall. Black paper shows the darkest shadows directly above the reflecting line (cellophane), while vellum on top of white parchment illustrates how the water beneath the reflection of the sun is illuminated as the shadows become more and more concealed. The curve of the paper mimics the curve of the water in the fountain. 

Snapshots of Light

These were a few of the shots I took in looking for natural light phenomena outside. 

A Container for Twelve Twigs

  

Our assignment was to make a container for twelve twigs, using 12 sticks no more than 18" in length, paper, and a binding agent.  In my first prototype, I simply broke off twelve twigs of descending lengths and used metal wire to bind the joints together.  I used sturdy white paper for the base and vellum for the surrounding paper. After making this prototype, I decided to make my project look more refined by using a saw in the wood shop to carefully cut the extra growths off of the twigs and to cut the edges of the twigs more smoothly. I decided to increase the slope of the walls by increasing the variation of the twig lengths. I also used hot glue to bind the sticks together, which looked more finished than using wire to bind the joints. In my second revision, I didn't use the white base, which distracted from the translucent quality of the vellum, however this made my structure less sturdy. I also took away the excess twigs I glued to the bottom of the structure and used them to increase the length of the walls, which emphasized their descending nature. In my final model, I used vellum as the base to add support, but not to distract from the vellum used for the walls. I also used nails to connect the joints of the twigs and moved the walls of the structure closer together to expose the joints.  Second Revision

 First Revision

Original prototype on left, first revision on right